Experimental Publishing II Critique, Intervention, and Speculation

Conference | Lecture/Seminar

Tuesday 28 May 2019

02:15 PM - 05:30 PM

Location

CPC Teaching Room, 3rd floor Lanchester Library

Cost

Free

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Event details

Speakers:

Mark Amerika

Mark Amerika, a Professor of Distinction at the University of Colorado, has exhibited his artwork internationally at venues such as the Whitney Biennial of American Art, the Institute of Contemporary Arts in London, and The ZKM | Center for Art and Media in Karlsruhe, Germany.  He is the author of many books including The Kafka Chronicles (FC2), Sexual Blood (FC2), remixthebook (University of Minnesota Press—remixthebook.com), META/DATA: A Digital Poetics (The MIT Press), remixthecontext (Routledge), and Locus Solus (An Inappropriate Translation Composed in a 21st Century Manner) (Counterpath Press).

Nick Thurston

Nick Thurston is a writer and editor who makes artworks. His most recent books include the co-edited collection, Post-Digital Cultures of the Far Right (Bielefeld: Transcript, 2018), and an experimental Spanish-language translation of his last poetic book by NO_LIBROS (Barcelona, 2019). Recent and current exhibitions include shows at Transmediale (Berlin, 2018), Q21 (Vienna, 2018), MuHKA (Antwerp, 2018) and HMKV (Dortmund, 2019).

 

Concept:

Experimental publishing can be positioned as an intervention, a mode of critique, and a tool of speculation. It is a way of thinking about writing and publishing today that has at its centre a commitment to questioning and breaking down distinctions between practice and theory, criticality and creativity, and between the scholarly and the artistic.

In this series of events we propose to explore contemporary approaches to experimental publishing as:

  • an ongoing critique of our current publishing systems and practices, deconstructing existing hegemonies and questioning the fixtures in publishing to which we have grown accustomed—from the book as a stable object to single authorship and copyright.
  • an affirmative practice which offers means to re-perform our existing writerly, research, and publishing institutions and practices through publishing experiments.
  • a speculative practice that makes possible an exploration of different futures for writing and research, and the emergence of new, potentially more inclusive forms, genres, and spaces of publishing, open to ambivalence and failure.

This take on experimentation can be understood as a heterogeneous, unpredictable, and uncontained process, one that leaves the critical potentiality of the book as a medium open to new intellectual, political, and economic contingencies. 

Enquiries

For enquiries please contact Janneke Adema

ademaj@uni.coventry.ac.uk

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