THE PERFORMING SUBJECT IN THE SPACE OF TECHNOLOGY: THROUGH THE VIRTUAL, TOWARDS THE REAL
Editors: Matthew Causey, Emma Meehan, Néill O’Dwyer.
Palgrave Macmillan 2015
The Performing Subject in the Space of Technology challenges perceived notions of ‘virtual’ and ‘real’ in a collection of fascinating essays.It explores the ubiquity of technology in both academia and professional practice, emphasising the experience of body/ technology encounters.’ – Sita Popat, University of Leeds, UK.
The book launch was held on in the Neill /Hoey Lecture Theatre at The Trinity Long Room Hub, Trinity College Dublin, at 6pm on Thursday 29 October, 2015. Special guest speaker Dr. Noel Fitzpatrick (Dean of GradCAM) introduced the book.
THE INTERNATIONAL JOURNAL OF SCREENDANCE
The International Journal of Screendance is an international, artist-led journal exploring the field of screendance. It is the first-ever journal dedicated to this growing area of worldwide interdisciplinary practice. IJSD draws on the fields of dance, performance, visual art, cinema, and media arts, including their practices, technologies, theories and philosophies. It provides a platform to debate questions about inter-disciplinarity, artistic agency, curation, film and dance in popular culture, and experimental filmmaking and mediated artistic practices.
Image attached is courtesy of Cobie Orger.
For more information, please go to: www.screendancejournal.org
JOURNAL OF DANCE, MOVEMENT & SPIRITUALITIES
Editor: Amanda Williamson
Journal of Dance, Movement & Spiritualities is interested in publishing works concerned with the relationship between spirituality, dance and movement, and contributions are invited from across disciplines. Research into spirituality receives comparatively little attention in Western dance practices. In contrast, this journal provides a platform for those practitioners and researchers who are actively and creatively working with spirituality at the centre of their practice/research to disseminate their ideas and findings.
The journal is particularly interested in scholarship that explores spirituality and movement from different inter-disciplinary perspectives offering a broad stage for academic discussion and innovation. Recognizing the plurality and diversity of spiritual experience, the journal invites contributions from a vast panorama of the world’s sacred dance traditions to topics such as secular, New Age and postmodern spiritualities. Articles may range from performance praxis and analysis, composition and aesthetics, Dance Movement Psychotherapy, community practice and holistic pedagogies. The journal seeks to embrace diversity of experienced and felt spiritualities and discussion of methodologies suited to discovering more about dance and spirituality are most welcomed, as well as innovative methods for recording, digesting and articulating the experiences of spirituality.
For more information, please see the The Journal for Dance, Movement and Spiritualities.