Editors: Hetty Blades and Emma Meehan

Intellect Ltd © 2018 (October)

Increasingly, choreographic process is examined, shared, and discussed in a variety of academic, artistic and performative contexts. More than ever before, post-show discussions, artistic blogs, books, archives and seminars provide opportunities for choreographers to explain their particular methodologies. Performing Process: Sharing Dance and Choreographic Practice provides a unique theoretical investigation of this current trend. The chapters in this collection examine the methods, politics and philosophy of sharing choreographic process, aiming to uncover theoretical repercussions of and the implications for forms of knowledge, the appreciation of dance, education and artistic practices.


Find out more about Performance Process book and when it is available.


Some Things About Dance is a digital book. It is a collection of playful ideas or things about the art of dance. Each brief chapter is self-contained, and covers a range of topics to do with things like collaboration, creativity, communication and practice. The book is primarily written for people interested in dance as an art form – dancers, teachers, choreographers, audiences – but will also appeal to creatives and managers who are seeking surprising or alternative ways to be inspired or challenged.

Some Things About Dance is available for download via Leanpub.

The book is Pay What You Want, and 80% of any profits will be given to Chisenhale Dance Space in London. The remaining 20% will go to choreographer and artist Hamish MacPherson for his work on the book's illustrations.

Text: Simon Ellis
Illustrations: Hamish MacPherson

You can also listen to an interview with Simon and Leanpub co-founder Len Epp about the book amongst other things.


Editors: Simon Ellis, Hetty Blades and Charlotte Waelde

A World of Muscle, Bone & Organs: Research and Scholarship in Dance is an e-book exploring contemporary ideas and themes in the research and practice of dance. It contains 23 chapters written by researchers at the Centre for Dance Research (C-DaRE), Coventry University, and is divided into six sections: Spaces of Practice, Philosophy, Communities, Politics, Data and Thinking, and Epistemology

Read more and download the e-book.


Editors: Susanne Foellmer, Margreth Lünenborg and Christoph Raetzsch

Routledge 2018

Quotidian digital media have fundamentally transformed the ways in which public protest isarticulated today. Think of movements like Occupy and the Arab Spring, the protests in Gezi Park in Istanbul and the activities of the Muslim Brotherhood in Egypt. Protest is nowadays voiced on the street and online at the same time. In these performative acts, we discern calls for community and perceive individual acts of articulation. The volume addresses such developments in an interdisciplinary collaboration between media and communication studies, and theatre, dance and performance studies. 

The volume presents international case studies on the new dynamics of protest, articulation and community along with two programmatic articles on the role and legacies of performativity in the affiliated disciplines. The case studies cover a wide cultural and geographical terrain - from Mexico to Japan, from Germany to Greece. A core interest is to develop the notion of media practice theoretically and employ it analytically to these divergent settings. On the basis of performative and practice-theoretical approaches the contributors show the specific local embeddedness of new forms of publicness that emerge in protest movements. They achieve to differentiate how technological change is necessarily embedded in these conditions but need not be a principal force. The volume thus covers a broad range of performative experiments, historical case studies and new forms of collective articulation.

The volume makes an important contribution to debates about technological globalisation and political change, about media usage and potentials of political emancipation. In an interdisciplinary dialogue of media and communication studies with theater and dance studies, the contributions highlight the versatility of performativity and media practice as an analytic approach.

Find out more about the book and its contributors.


Editors Sarah Whatley, Charlotte Waelde, Shawn Harmon, Abbe Brown, Karen Wood, and Hetty Blades

Intellect Ltd © 2018

This collection is the first book to focus on the intersection of dance, disability, and the law. Bringing together a range of writers from different disciplines, it considers the question of how we value, validate, and speak about diversity in performance practice, with a specific focus on the experience of differently-abled dance artists within the changing world of the arts in the United Kingdom. Contributors address the legal frameworks that support or inhibit the work of disabled dancers and explore factors that affect their full participation, including those related to policy, arts funding, dance criticism, and audience reception. Read more information on where to get the Dance, Disability and Law book.

Find out about the Invisible Difference: Dance, Disability and Law Project


Editors: Sarah Whatley, Rosamaria K. Cisneros, Amalia Sabiescu

This book explores the interplay between performing arts, intangible cultural heritage anddigital environments through a compendium of essays on emerging practices and case studies,as well as critical, historical and theoretical perspectives. It features essays that engage withvaried forms of intangible cultural heritage, from music and storytelling to dance, theatre andmartial arts. Cases of digital technology interventions are provided from different geographicaland cultural settings, from Europe to Asia and the Americas. Together, the collection reflects onthe implications that digital interventions have on intangible cultural heritage engagements, itscuration and transmission in diverse localities. The volume is a valuable resource fordiscovering the multiple ways in which cultural heritage is mediated through digitaltechnologies, and engages with audiences, artists, users and researchers.

Donwload the flyer.

Find out more about the most recent Digital Echoes event.


Issue editors: Susanne Foellmer & Richard Gough

ISSN: 1352-8165 (2017) 22:8

This issue asks about the consequences and specific modalities of leftovers in the performing and visual arts as well as in broader cultural and social contexts: What is the status of leftovers when, for example, beingon display or being distributed otherwise after a performance? To what extent do they ‘help’ or rather ‘betray’ the attempts to write performing art’s history? What kind of impact does the integration of debris as art’s material have on the conception and reception of the artwork as such? And in what ways does a certain performative quality apply when it comes to the arrangement of leftovers other than working with ‘unused’ and ‘fresh’ material? What about the politicality of integrating leftovers into ‘newly’ done work? And how does the value of leftovers change when reintegrated into the consumer’s society? Those reflections also imply more general questions about the cultural status and value of leftovers in the social and political realm.

Read more information about the book.


Editors: Matthew Causey, Emma Meehan, Néill O’Dwyer

Palgrave Macmillan 2015

The Performing Subject in the Space of Technology challenges perceived notions of ‘virtual’ and ‘real’ in a collection of fascinating essays.It explores the ubiquity of technology in both academia and professional practice, emphasising the experience of body/ technology encounters.’ – Sita Popat, University of Leeds, UK.

The book launch was held on in the Neill /Hoey Lecture Theatre at The Trinity Long Room Hub, Trinity College Dublin, at 6pm on Thursday 29 October, 2015. Special guest speaker Dr. Noel Fitzpatrick (Dean of GradCAM) introduced the book.





journal of screendanceThe International Journal of Screendance is an international, artist-led journal exploring the field of screendance. It is the first-ever journal dedicated to this growing area of worldwide interdisciplinary practice. IJSD draws on the fields of dance, performance, visual art, cinema, and media arts, including their practices, technologies, theories and philosophies. It provides a platform to debate questions about inter-disciplinarity, artistic agency, curation, film and dance in popular culture, and experimental filmmaking and mediated artistic practices.

Image attached is courtesy of Cobie Orger.

For more information, please go to:


Editor: Amanda Williamson

Journal of Dance, Movement & Spiritualities is interested in publishing works concerned with the relationship between spirituality, dance and movement, and contributions are invited from across disciplines. Research into spirituality receives comparatively little attention in Western dance practices. In contrast, this journal provides a platform for those practitioners and researchers who are actively and creatively working with spirituality at the centre of their practice/research to disseminate their ideas and findings.

The journal is particularly interested in scholarship that explores spirituality and movement from different inter-disciplinary perspectives offering a broad stage for academic discussion and innovation. Recognizing the plurality and diversity of spiritual experience, the journal invites contributions from a vast panorama of the world’s sacred dance traditions to topics such as secular, New Age and postmodern spiritualities. Articles may range from performance praxis and analysis, composition and aesthetics, Dance Movement Psychotherapy, community practice and holistic pedagogies. The journal seeks to embrace diversity of experienced and felt spiritualities and discussion of methodologies suited to discovering more about dance and spirituality are most welcomed, as well as innovative methods for recording, digesting and articulating the experiences of spirituality.

For more information email 


Journal of Dance and Somatic Practices (ISSN 1757-1871) is an international refereed journal published twice a year by Intellect. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. 

In recent years, somatic practices have become more central to many artists’ work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions.

This journal will provide a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal will serve a broad international community and will invite contributions from a wide range of discipline areas. Particular features will include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays’, interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.

For further information, please see Journal of Dance and Somatic Practices.