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Professor of Dance
My research is inspired by my deep interest in how dance artists document and publish their choreographic thinking in different modes, and how audiences become co-creators in art making practices. The collaborations that I have with researchers and artists, arts companies and organisations, both in the UK and overseas, are very important to me because it stimulates productive dialogues and leads to new insights about dance as a creative cultural practice.
Sarah Whatley's research focuses on the interface between dance and new technologies, dance analysis, somatic dance practice and pedagogy, and inclusive dance. The AHRC, the Leverhulme Trust and the European Union fund her current research, which is broadly focused on the impact of digital technologies on tangible and intangible cultural heritage. She led the AHRC-funded Siobhan Davies digital archive project, RePlay, and has worked with Davies on other artist-led research projects. She is founding Editor of the Journal of Dance and Somatic Practices and sits on the Editorial Boards of several other Journals.
Sarah supported the development of the Routledge Performance Archive in her role as Academic Consultant: Digital Environment. She was an assessor for the 2014 REF exercise (Panel D35) and is a member of the AHRC Peer Review College.
Contact Harriet Deacon for intangible heritage, intellectual property, foodways, traditional knowledge | Email: firstname.lastname@example.org
Contact for somatic practice | Email: email@example.com
Contact for dance as a creative tool | Email: firstname.lastname@example.org
Professor of Dance