Coventry University is a diverse and exciting place to work and we share the enthusiasm of our staff and students to be the best at whatever they choose to do. As one of the City’s biggest employers, we offer some impressive benefits for our staff and are committed to delivering the very best opportunities. We have a comprehensive training, personal and professional development programme that provides our employees with the skills to enhance their performance in the workplace and grow in their careers. There are pension schemes, a generous holiday allowance and flexible working opportunities as well as lifestyle benefits including childcare vouchers, discounted membership to the £4 million sports and recreation centre and schemes such as Cycle to Work and the CU Car Share initiative.
View current job vacancies.
Access the central point of information for all staff across the University.
Check your assessments, access Solar and get course information.
My research aims to investigate the possible impact of scores and choreographic objects on the spectator’s qualities of participation. How can the artefacts of choreography play a role in the encounter between spectators during the choreographic event? For a conscious encounter in the acts of thinking with others and of welcoming differences.
Supervisors: Dr. Simon Ellis, Dr. Hetty Blades and Prof. Sarah Whatley
Emilie Gallier is a choreographer (PØST Cie) and a researcher (PhD Candidate, C-DaRE Coventry University). Her work explores the writing and the reading of movement together with questions of spectatorship. She develops projects that expand the format of choreography and probe exchanges of knowledge between spectators. Her dance performances, installations, scores, books, lectures, and workshops have been presented in The Netherlands and Europe in contexts like ICK Choreographic Arts Centre, Dansmakers Amsterdam, Wintertuin Literature Festival, Uferstudios, Paris 8.
Since 2016 she is a PhD Candidate at Coventry. In 2012, she graduated from the Master of Choreography at ArtEZ (NL). Before that she explored choreography at the PRCC (Myriam Gourfink, FR) and learned Laban notation at the Conservatoire de Paris.
Contact Harriet Deacon for intangible heritage, intellectual property, foodways, traditional knowledge | Email: firstname.lastname@example.org
Contact for somatic practice | Email: email@example.com
Contact for dance as a creative tool | Email: firstname.lastname@example.org